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Wagner -- Austen's and Michell's persuasion in the university classroom: pedagogical strategies / by Laura Carroll...[et al.] -- A bibliography of adaptation and film study / by Abigail Burnham Bloom, Thomas Leitch, and Mary Sanders Pollock. "Heckerling, the writer and director of the motion picture 'Clueless,' based the film on the 1816 novel 'Emma,' by Jane Austen. "Hester, Sweet Hester Prynne - The Scarlet Letter in the Movie Market Place." Literature/Film Quarterly. Rivkin -- "Her ancient faculty of silence": Catherine Sloper's ways of being in James's Washington Square and two film adaptations / Karen Michele Chandler -- Ambassadors from an imaginary "Elsewhere": cinematic convention and the Jamesian sensibility / Alan Nadel -- Cultural capitalism and the "James formation" / Marc Bousquet -- Content or costume? Bauer -- "Hallucinations of intimacy": the Henry James films / Dianne F. New York : Modern Language Association of America, 2005. Aloy's Presence of Mind (1999)." EREA: Revue Electronique d'Etudes sur le Monde Anglophone, vol. Such loneliness, however, is not the result of Joyce's aesthetic detachment, but rather an inevitable consequence of his writing about the world of his (imaginary) sights." [Art Index] "Blue Notes: From Joyce to Jarman." In: Re: Joyce: text, culture, politics / edited by John Brannigan, Geoff Ward, and Julian Wolfreys.

Discusses temporality and tense in literature-film adaptations. Tallahassee: University Presses of Florida, 1980, c1981. A multimedia approach to children's literature: a selective list of films, filmstrips, and recordings based on children's books / compiled and edited by Ellin Greene and Madalynne Schoenfeld. Chicago: American Library Association, 1977."Film and Literature: Historical Models of Film Adaptation and a Proposal for a (Poly)System Approach." Canadian Review of Comparative Literature/Revue Canadienne de Litterature Comparee vol. Massood -- Defusing The English patient / Patrick Deer -- Carnivals and goldfish : history and crisis in The butcher boy / Jessica Scarlata -- Passion or heartburn? Theater and film: a comparative study of the two forms of dramatic art, and of the problems of adaptation of stage plays into films / Roger Manvell. New York : Applause Theatre & Cinema Books ; Milwaukee, WI : Sales and distribution USA, Hal Leonard Corp., c2003. Postmodern Studies; 16Hollywood fictions: the dream factory in American popular literature. While his own art was not a mechanical art, it is possible that he continued to have an interest in the automatism one machine in particular had so profoundly clarified." [Art Index] Contents: Introduction: reframing the Victorians / by Thomas Leitch -- Reinterpreting the Victorians: adaptation and the techne of revision. Minneapolis: University of Minnesota Press, c2000."Her First and Last: Austen's Sense and Sensibility, Persuasion, and Their Screen Adaptations." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. Bowling Green, OH: Bowling Green State University Popular Press, c1999."Mass Marketing Jane Austen: Men, Women, and Courtship in Two Film Adaptations." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. Lexington: University Press of Kentucky, c1998."Dead author's society." (packages by publishers to market Jane Austen's book 'Sense and Sensibility' are tied in to the movie of the same name)(Brief Article) Publishers Weekly v243, n3 (Jan 15, 1996):322."Conservative Austen, Radical Austen: Sense and Sensibility from Text to Screen." In: Adaptations: from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan. London ; New York: Routledge, 1999."The writer discusses the portrayal of "sissiness" in the movie The Wizard of Oz. 'The Wizard of OZ' is a traditional girl's coming-of-age story in that it emphasizes the home over the outside world and independence as evil. Dorothy': Conscious and Unconscious Desire in The Wizard of Oz."Children's Literature Association Quarterly vol. Nochimson -- Black hands and white hearts : Southern Italian immigrants, crime, and race in early American cinema / Giorgio Bertellini -- "American as chop suey" : invocations of gangsters in Chinatown, 1920-1936 / Peter Stanfield -- The underworld films of Oscar Micheaux and Ralph Cooper : toward a genealogy of the Black screen gangster / Jonathan Munby -- Walking the streets : Black gangsters and the "abandoned city" in the 1970s blaxploitation cycle / Peter Stanfield. : detective fiction from page to screen / Reynolds, William. 'The Scarlet Letter' is at best a vulgarized version of Nathaniel Hawthorne's study of human character and the evil to which it can succumb. (Series: Ungar film library)"This article looks at Agnieszka Holland's film of "Washington Square" (1997) as an example of a costume drama, focusing especially on the ways in which it tries to attract attention though the use of historically accurate locations, sets and costumes. Bogstad -- The rohirrim, the Anglo-Saxons, and the problem of ambiguity and reference in Tolkien's books and Jackson's films / Michael D. Drout -- Filming the numinous: the fate of Lothlorien in Peter Jackson's The lord of the rings / Joseph Ricke and Catherine Barnett. "Lord of the Rings , Star Wars , and participatory fandom: mapping new congruencies between the internet and media entertainment culture." Critical Studies in Media Communication, Sep2004, Vol. Tolkien and the motion picture adaptation directed by Peter Jackson. Following this, he signed his first contract with the Gaumont Company in 1913 for The First Men in the Moon, and took up an opportunity to become a screen author in 1928. Wells, reality and beyond: a collection of critical essays prepared in conjunction with the exhibition and symposium ... Avant-garde techniques could have been used to portray the novel's complicated structure." [Expanded Index] "The Doctor and the Woolf: Reel Challenges-The Cabinet of Dr. Dalloway." In: Virginia Woolf: themes and variations : selected papers from the Second Annual Conference on Virginia Woolf, Southern Connecticut State University, New Haven, June 11-14, 1992 / edited by Vara Neverow-Turk and Mark Hussey. Dalloway] In: The image of the twentieth century in literature, media, and society ; selected papers [from the] 2000 conference [of the] Society for the Interdisciplinary Study of Social Imagery / edited by Will Wright and Steven Kaplan. New York, NY: Pace University Press, 2000."This paper explores the issue of how character is created and re-created in the context of relationships. "Viewing Au boneur des dames in the context of occupied France." In: Zola and film : essays in the art of adaptation / edited by Anna Gural-Migdal and Robert Singer ; with a foreword by Brigitte Emile-Zola. Components underlying the development of a medium-specific thesis in adaptation; Result of the marginalization of medium specific theorizing; Discussion on the tense, temporality and memory in the film 'Lolita.' Literary women on the screen: the representation of women in films based on imaginative literature / Inger Christensen. Transformations in literature and film: selected papers from the Sixth Annual Florida State University Conference on Literature and Film / edited by Leon Golden. Books and plays in films, 1896-1915: literary, theatrical, and artistic sources of the first twenty years of motion pictures / Denis Gifford. The uses of humor in Like water for chocolate / Dianna C. "Gender images and patterns from novel to film." In: Gender, I-deology: Essays on Theory, Fiction and Film / edited by Chantal Cornut-Gentille D'Arcy and Jose Angel Garcia Landa. Jekyll, Hyde, Jekyll, Hyde, Jekyll, Hyde, Jekyll, Hyde: four models of intertextuality / by Thomas Leitch -- The poetics of silent film in Lubitsch's Lady Windermere's fan / by Jean-Marie Lecomte -- Adapting Dickens's A Christmas carol in prose / by Natalie Neill -- Modifying the Victorians: adaptation and shifts in cultural values. "Being True to Jane Austen." In: Victorian afterlife: postmodern culture rewrites the nineteenth century / John Kucich and Dianne F. In his 1998 documentary film The Silver Screen: Color Me Lavender, Mark Rappaport shows that although Hollywood in the 1930s and 1940s had many uses for the sissy as a stereotypical character, it could not cope with linking the portrayal of a homosexual to the narrative center of a movie. "Relinquishing Oz: Every Girl's Anti-Adventure Story." In: The Movies: Texts, Receptions, Exposures / edited by Laurence Goldstein and Ira Konigsberg. The death of the Wicked Witch is an ambivalent event because Dorothy's actions sacrifice her curiosity about the outside world, destroying a strong woman to return to the security of home. "Making marriage fun : Myrna Loy and William Powell." In: Hollywood romantic comedy : states of the union, 1934-65 / Kathrina Glitre. Bowling Green, OH : Bowling Green State University Popular Press, c1994. Screenwriter Douglas Day Stewart does not only demean Roger Chillingworth's character by changing his name to Roger Prynne; he also reduces his impact by making him more of a madman than an embodiment of evil. "The story-- held us": The turn of the screw from Henry James to Jack Clayton / Anthony J. However, it will also suggest that Holland uses "movement images" (e.g. Essays in literature book."James Joyce as Woman: Fionnula Flanagan, Joyce, and Filmoyce and popular culture." In: Joyce and popular culture / edited by R. Heroism and alienation through language in The lord of the rings In: The medieval hero on screen : representations from Beowulf to Buffy / edited by Martha W. 21 Issue 3, p261-281, 21p Discusses the trilogy books of "The Fellowship of the Ring," by J. Background on the creation of the books; Comparison between the books and the motion picture adaptations; Overview of the motion pictures. Frost, Warwick, Croy, Glen and Beeton, Sue (editors). Wells and the Rhetoric of Proteus." In: No place else: explorations in utopian and dystopian fiction / edited by Eric S. By the 1930s, Hollywood began to show an interest in Wells's work. pp: 23-32 Champaign, Ill.: Champaign Public Library and Information Center, 1986."Technology and Dystopia: H. Wells, Metropolis, and the Science Fiction City." In: The image of the city in literature, media, and society : selected papers / edited by Will Wright an Society for the Interdisciplinary Study of Social Imagery. pp: 40-51 New York, NY: Pace University Press, 1993."Mrs. This theme, salient in the recent film The Hours, has been particularly problematic for creative women, who are often caught in tensions between self-development and relationship. (Part 2)"Publishers Weekly June 5, 1981 v219 p34(4) "Authors discuss their feelings about turning a book into a moving-picture script. "Making it Home: The Wizard of Oz (Victor Fleming, 1939) The Woman in the Window (Fritz Lang, 1944)" In: Alternative worlds in Hollywood cinema : resonance between realms / James Walters. Over the rainbow: the Wizard of Oz as a secular myth of America / Paul Nathanson; [foreword by Katherine K. They also connect Dorothy with the witches, the women who rejected the image patriarchy imposes on woman. However, the color red also spells the high price such powers extract. "The Wizard of Oz "is a yearly media ritual for American television viewers. Frank Baum's novel, its sequels and their adaptations for stage, television, movies, radio, music videos, comic books, commercials and more / Fraser A. But he also saw past the confines of the Cold War." The Atlantic Monthly 297.3 (April 2006): 100(4). Tauris ; New York : Distributed by Palgrave Macmillan, 2006. Contents: Gangsters and governance in the silent era / Lee Grieveson -- Why boys go wrong : gangsters, hoodlums, and the natural history of delinquent careers / Richard Maltby -- Gang busters : the Kefauver Crime Committee and the syndicate films of the 1950s / Ronald W. Based on the 1995 novel by Vladimir Nabokov, the film has undergone editing to remove content feared to be too controversial in an era more sensitive to child abuse. "Lots of Desire, No Elms: A Consideration of Eugene O'Neill's Desire under the Elms on Film." The Nassau Review: The Journal of Nassau Community College Devoted to Arts, Letters, and Sciences, vol. Explores the influence of writer Edgar Allan Poe on the works of author and director Alfred Hitchcock. 09 December 2005 "When Harry Met Sirius: The Potter franchise has a new director, a zestier spirit--and a bunch of kids entering puberty.(Arts/Movies)(Review)(Harry Potter and the Prisoner of Azkaban)(Movie Review)." Time 163.23 (June 7, 2004): 117. "Lightning Strikes; The 'Harry Potter' books have finally gotten the wondrous movie they deserve. He identifies themes that appear in a number of versions. A new approach to thinking about visualization is also developed which would reach a long way and have wide implications for perceptions of research film audiences. Into the west: far green country or shadow on the waters? pp: 23-32 Champaign, Ill.: Champaign Public Library and Information Center, 1986. Dallowy and the artistic logic in Redgrave's choosing to portray her." [Magazine Index] "Colour burning on a framework of steel": Virginia Woolf, Marleen Gorris, Eileen Atkins, and "Mrs. Series title: Garland reference library of the humanities; vol. Series title: Garland reference library of the humanities; Studies in modern drama; v. "The big compromise: adapting a novel for screen involves hard knocks for the literary sensibility, but many authors are quite willing to accommodate. The red shoes and their symbolic meaning in Hans Christian Andersen's 'The Red Shoes' were adapted in the film version of Frank Baum's 'Wizard of Oz.' The red shoes signify female creative powers and the necessary rebellion the power entails. Finally, the paper concludes with an assessment of some of the outstanding challenges facing a popular geopolitics." [Taylor & Francis] "Bottoms up: Ian Fleming, the man behind James Bond, was a sadist, a narcissist, and an all-around repressed pervert. "Harold Pinter's Prison House: The Screenplay of Kafka's The Trial." In: Captive audience : prison and captivity in contemporary theater / edited by Thomas Fahy and Kimball King. Filmmaker Adrian Lyne has delayed production of his movie because of its controversial story of pedophilia. Lewisburg, Pa.: Bucknell University Press; London; Cranbury, NJ: Associated University Presses, c1993."The Site of the Body in Torture/The Sight of the Tortured Body: Contemporary Incarnations of Graphic Violence in the Cinema and the Vision of Edgar Allan Poe." Film and Philosophy, vol. 62-70, 1994 ""A sissified Bela Lugosi": Vincent Price, William Castle, and AIP's Poe adaptations." In: Ghouls, gimmicks, and gold : horror films and the American movie business, 1953-1968 Durham : Duke University Press, 2004. 09 December 2005 "Caution: Wizard at Work: Behind the Magic: The Harry Potter movie franchise has a new director and a new Dumbledore. An exclusive visit to 2004's 'Prisoner of Azkaban.'." Newsweek (August 4, 2003): 54. The article explores issues related to the term "visualization" as a result of materials generated out of the International "Lord of the Rings" audience project. Woosnam-Savage -- Techniques of character and culture. Wells, reality and beyond: a collection of critical essays prepared in conjunction with the exhibition and symposium ... Topics include the heroic aspects of the character Mrs.Niebylski -- Beloved : the adaptation of an American slave narrative / Mia Mask -- Oral traditions, literature, and cinema in Africa / Mbye Cham -- Memory and history in the politics of adaptation : revisiting the partition of India in tamas / Ranjani Mazumdar -- The written scene : writers as figures of cinematic redemption / Paul Arthur. The power of money: Browning's "The pied piper" and Egoyan's The sweet hereafter / by Mary Sanders Pollock -- Making private scenes public: Conrad's "The return" and Chreau's Gabrielle / by Gene M. Routledge research in postcolonial literatures." Issues discussed concern the portrayal of class, race, and gender in Amy Heckering's film 'Clueless,' focusing on how films addressed to US teenage girls represent American culture and nationalism. ': Translation, Imitation, and Intertextuality in Jane Austen on Screen." In: Jane Austen on screen / edited by Gina Macdonald and Andrew Macdonald. Let's go for gore." (filmmaker Ang Lee, who was lauded for his adaptation of Austen's 'Sense and Sensibility,' is making a violent movie about the American Civil War)(Brief Article)(Interview) U. Set outside a direct association with adult homosexuality, Bert Lahr's performance as the Cowardly Lion in The Wizard of Oz may disclose more about the construction of gay subjectivity than a realistic representation of a homosexual itself. The men in Oz lack some essential characteristic while any woman showing behavior outside of what is expected is condemned or killed both in Oz and Dorothy's home. Manchester ; New York : Manchester University Press ; New York : Distributed exclusively in the USA by Palgrave, 2006. The many film versions of Nathaniel Hawthorne's "Scarlet Letter," including the 1995 version by Demi Moore and Roland Joffe, suffer in comparison to the novel, in part because they interpret the work in light of contemporary social conditions. Hester becomes more or less a bimbo and Dimmesdale a hunk. Mazzella -- Reexamining Bogdonavich's Daisy Miller / Peggy Mc Cormack -- "The tie of a common aversion": sexual tensions in Henry James's The other house / Priscilla L. the woman at the window) to reinvent many of the conventions of the genre and thereby demonstrate how Catherine Sloper transcends the patriarchal conventions of her society in her search for an independent existence." [Project Muse] The works of Henry James is ill-suited for translation into films, since it losses much of brilliance of James' writing, which lies in the 'silences' of his prose. 1003"Ulysses, a novel by James Joyce, might indeed offer parallels with, and anticipations of, modern technologies of vision, but it also provides evidence of the limitations of the relationship between film and novel as companionable arts. Driver and Sid Ray ; with a foreword by Jonathan Rosenbaum. "Film-Induced Tourism: Motivations of Visitors to the Hobbiton Movie Set as Featured in The Lord Of The Rings." In: International Tourism and Media Conference Proceedings. Melbourne: Tourism Research Unit, Monash University. "On Fairies and Technologies." In: Moving images: from Edison to the webcam / edited by John Fullerton and Astrid Soderbergh Widding Sydney, Australia: John Libbey & Co., c2000 Stockholm studies in cinema."Novel into Film: So It Goes." In: The Modern American novel and the movies / edited by Gerald Peary and Roger Shatzkin. New York: Ungar, c1979 (Series: Ungar film library) Main Stack PN1997.85. Bowling Green, OH: Bowling Green State University Popular Press, c1994. However, The Time Machine and The War of the Worlds, his two most popular scientific romances were never filmed during his lifetime." [Art Index] "Realist of the Fantastic: H. Conference (13th : 2003 : Colorado Springs, Colo.) Pueblo, Colo. Dalloway, the Film." In: Conference on Virginia Woolf (7th: 1997: Plymouth State College) Virginia Woolf and her influences: selected papers from the Seventh Annual Conference on Virginia Woolf, Plymouth State pp: 167-71. Two case examples are given, in counterpoint to the film and to illustrations from Woolf's life and work. "La Rançon du progrès: Naturalistic discourse and two adaptation of Zola's Au bonheur des dames." In: Zola and film : essays in the art of adaptation / edited by Anna Gural-Migdal and Robert Singer ; with a foreword by Brigitte Emile-Zola. ""To Prevent the Prevalent Type of Book": Censorship and Adaptation in Hollywood, 1924-1934." In: Film adaptation / edited and with an introduction by James Naremore. Moore -- Totally clueless: Heckerling and queer sexuality in Austen's Emma / by Michael Eberle-Sinatra -- From Victorian to postmodern negation: enlightenment culture in Thackeray's and Kubrick's Barry Lyndon / by Louise Mc Donald -- Intertextuality in Simon Raven's The Pallisers and other Trollope films / by Ellen Moody -- Translating the Victorians: teaching books by reading movies. Rutgers depth of field series."Clueless in the Neo-Colonial World Order." In: The postcolonial Jane Austen / edited by You-me Park and Rajeswari Sunder Rajan. The heroine of the film is analyzed in relation to narratives of gender, ideologies of consumption, and neocolonial relations of oppression." [Expanded Academic Index] "Return to Austen: Film Heroines of the Nineties." In: Refracting the canon in contemporary British literature and film / edited by Susana Onega and Christian Gutleben. Cambridge ; New York : Cambridge University Press, 2003. Minneapolis: University of Minnesota Press, c2000."Her First and Last: Austen's Sense and Sensibility, Persuasion, and Their Screen Adaptations." In: Nineteenth-century women at the movies: adapting classic women's fiction to film / edited by Barbara Tepa Lupack. Bowling Green, OH: Bowling Green State University Popular Press, c1999.'A Correct Taste in Landscape': Pemberley as Fetish and Commodity." In: Jane Austen in Hollywood / Linda Troost and Sayre Greenfield, editors. Lexington: University Press of Kentucky, c1998."An England Worth Saving: The Domestication of World War II Propaganda in Pride and Prejudice." War, Literature & the Arts: An International Journal of the Humanities; 2009, Vol. The film's stereotype of sissiness, the Cowardly Lion, operates both as an esthetic and a social construct, but Lahr's performance works within and beyond the text and between the text and spectator, so "sissy" and "effeminate" negotiate with the main modes of both the film and society." [Art Index] "'My Beautiful Wickedness': The Wizard of Oz as Lesbian Fantasy." In: Hop on pop : the politics and pleasures of popular culture / edited by Henry Jenkins, Tara Mc Pherson & Jane Shattuc. There are several silent film versions including a 1926 version by Victor Seastrom. Ibsen, Strindberg, and the intimate theatre: studies in TV presentation / by Egil Tornqvist. Walton -- Mourning, nostalgia, and melacholia: unlocking the secrets of Truffaut's The green room / Matthew F. Cultural vanguards should have raised concerns over the film version of 'The Wings of the Dove'. There are many incidents recounted in Ulysses in which the character of Leopold Bloom is saved from errancy, from losing himself in fantasy projections that are so identified with cinema. M64 "Slaughterhouse-Five: Fiction into Film." In: Take two: adapting the contemporary American novel to film. : Society for the Interdisciplinary Study of Social Imagery, [2003] "Island of lost souls, dir. Kenton (1933)." In: The literary monster on film : five nineteenth century British novels and their cinematic adaptations / Abigail Burnham Bloom. New York: Pace University Press, 1998."Mrs Dalloway and Orlando: The Subject of Time and Generic Transactions." In: Classics in film and fiction / edited by Deborah Cartmell ... Through these various lenses, we can consider the complex interplays between our conjectures as to the expected price of relationship, and the actual price exacted as our various dramas unfold." [Expanded Academic Index] "Rewriting Woolf's Mrs.

Teaching Stoker's Dracula with multiple film versions: Nosferatu, Dracula, and pages from a Virgin's Diary / by Sarah J. "Improvements and Reparations at Mansfield Park." In: Literature and film : a guide to the theory and practice of film adaptation / edited by Robert Stam, Alessandra Raengo. "Being True to Jane Austen." In: Victorian afterlife: postmodern culture rewrites the nineteenth century / John Kucich and Dianne F. 21 Issue 1/2, p352-359, 8p "Sense and Sensibility: A Convergence of Readers/Viewers/Browsers." In: A companion to Jane Austen studies / edited by Laura Cooner Lambdin and Robert Thomas Lambdin. Wim Wenders directed a German version in 1972, and PBS produced a four-hour version for TV in 1979. Jordan -- Still me(n): Superman meets the Bostonians / Leland S. "Washington Square and The Heiress: Comparing Artistic Forms." In: The Classic American Novel and the Movies. "Mary Ellen Bute's Film Adaptation of Finnegans Wake." In: James Joyce's Finnegans wake: a casebook / edited by John Harty III. Joyce demonstrates the intrinsic discipline of his classicism by approaching as closely as he can the limit at which the novel encroaches upon cinema's spectacle of attractions, without overstepping the proper limits of his own literary domain. Jackson: University Press of Mississippi, 1979"Strick's Adaptation of Joyce's Portrait of the Artist: Discourse and Containing Discourse." In: Narrative strategies: original essays in film and prose fiction / edited by Syndy M. Dalloway: Homage, Sexual Identity, and the Single-Day Novel by Cunningham, Lippincott, and Lanchester." Critique: Studies in Contemporary Fiction, vol.

Heidt -- Transposing Sherlock Holmes across time, space and genre / by Tamara S. "From Emma to Clueless: Taste, Pleasure and the Scene of History." In: Adaptations: from text to screen, screen to text / edited by Deborah Cartmell and Imelda Whelehan. London ; New York: Routledge, 1999."Emma in Los Angeles: Remaking the Book and the City." In: Film adaptation / edited and with an introduction by James Naremore. Contemporary influences are particularly evident in the 1995 version, with sexual politics and multiculturalism appearing to be the focal point of the work. Person -- Conscious observation: Jane Campion's Portrait of a lady / Nancy Bentley -- "Prospects of entertainment": film adaptations of Washington Square / Julie H. 67-86, Fall 2005 "Ghostly Imagination, History, and Femininity at Centuries' Ends: The Turn of the Screw and The Blair Witch Project." In: Nothing that is : millennial cinema and the Blair witch controversies / edited by Sarah L. His honoring of the terms by which literature might approach, but never overstep the border separating it from the visual paradise of cinema, might explain what Alan Spiegel memorably referred to as the "ocular loneliness" of Ulysses's primary seers, Bloom and Stephen Dedalus. Martin's Press, 1998."Faulkner and Joyce." In: Faulkner and Yoknapatawpha Conference (5th: 1978: University of Mississippi) Faulkner, modernism, and film: Faulkner and Yoknapatawpha, 1978 / edited by Evans Harrington and Ann J.

"The success of a literary work's film adaptation depends on whether the film can be adapted to fit Hollywood formula of linear narrative and rounded characters. Emphasis turns toward action as the book is pared down to basics of story, plot and characterization. "Movies and American Culture in the Annus Mirabilis: Confessions of a Nazi Spy, The Wizard of Oz, and Mr. The film performs the psychological and socializing functions of traditional fairy tales, yet also contains contemporary political orientations and social values. Series title: Contributions to the study of science fiction and fantasy no. "'We have all the time in the world' - On Her Majesty's Secret Service (1969)." In: Crime wave: the filmgoers' guide to the great crime movies / Howard Hughes. "The golden girls: crucial to the Bond macho mystique, the object of 007's fleeting affection found their roles were an end, not a means.(James Bond motion pictures)(Interview)." People Weekly 44.n23 (Dec 4, 1995): 40(8). Wilson -- Ladies love brutes : reclaiming female pleasures in the lost history of Hollywood gangster cycles, 1929-1931 / Esther Sonnet -- A gunsel is being beaten : gangster masculinity and the homoerotics of the crime film, 1941-1942 / Gaylyn Studlar -- Mother Barker : film star and Public Enemy No. Nathaniel Hawthorne's 'The Scarlet Letter' is widely acclaimed as the classic American novel but the 1995 motion picture loose adaptation of the novel lost almost $50 million at the box office despite starring top actors Robert Duvall, Gary Oldman and Demi Moore. 5"Trial and Error: Combinatory Fidelity in Two Versions of Franz Kafka's The Trial." In: Classics in film and fiction / edited by Deborah Cartmell ... "Some Problems in Adapting O'Neill for Film." In: Eugene O'Neill's century : centennial views on America's foremost tragic dramatist / edited by Richard F. Implications of the connections; Creating and sustaining a narrative experience; Mutual obsession with the irrational; Comparison of their works. "Passing the wand: Y Tu Mama's Alfonso Cuaron conjures a darker Potter.(Brief Article)(Critical Essay)." Film Journal International 107.7 (July 2004): 16(3). 'The Prisoner of Azkaban' boasts a brand-new director and a bold new vision.(Movie Review)." Newsweek (May 31, 2004): 64. He points out that while some Jekyll and Hyde films retain a large part of Robert Louis Stevenson's story, others retain only the main premise of a transformation that separates someone's personality into independent components. Hyde, and cinematic response." In: Narrative and culture / edited by Janice Carlisle and Daniel R. "Through a Dark Lens: Jackson's Lord of the Rings as Abject Horror." Mythlore: A Journal of J. / Judy Ann Ford and Robin Anne Reid -- Frodo lives but gollum redeems the blood of kings / Philip E. "The Demi-Docs: Just Imagine and The Shape of Things to Come." In: Omni's Screen Flights/ Screen Fantasies: The Future According to Science Fiction Cinema / edited by Danny Peary; introduction by Harlan Ellison. Dalloway"." (film adaptation of Virginia Woolf's novel)(Special Issue: Virginia Woolf in Performance)(Critical Essay) Women's Studies v28, n4 (July, 1999):367 (11 pages). New York: Pace University Press ; Lanham, Md.: Distributed by arrangement with University Pub.

Literary works that do not follow these strictures are more difficult to adapt, and if they are adapted, they will appear to be a greater departure from the literary source than films based on works with linear narratives. Best-sellers and their film adaptations in postwar America: From here to eternity, Sayonara, Giant, Auntie Mame, Peyton Place / Jane Hendler. Series title: Modern American literature (New York, N. Authors, movie directors and publishers all view adaptation differently; each must compromise feelings about book or movie." [Expanded Academic Index] Contents: Gothic revenants : a tale of three Hamlets -- Putting the gothic in : Clarissa, Sense and sensibility, Mansfield Park, and The time machine -- Taking the gothic out : 'tis pity she's a whore, Mary Shelley's Frankenstein, The woman in white, and Lady Audley's secret -- Fragmenting the gothic: Jane Eyre and Dracula -- Gothic and the family : The mummy returns, Harry Potter and the philosopher's stone, and The lord of the rings : The fellowship of the ring. Eliot's understanding of the automatisms in literature evolved alongside his understanding of cinema as a thoroughly automatic medium. The Wizard of Oz: the screenplay / by Noel Langley, Florence Ryerson, & Edgar Allan Woolf; from the book by Frank Baum; edited with an introduction by Michael Patrick Hearn. Smith Goes to Washington." In: American cinema of the 1930s : themes and variations / edited by Ina Rae Hark. The rhetoric of this text and related artifacts can be understood as therapeutic insofar as the rationale of the story describes psychological problems and offers prescriptive remedies that viewers may adopt". "A Gunsel Is Being Beaten: Gangster Masculinity and the Homoerotics of the Crime Film, 1941-1942." In: Mob culture : hidden histories of the American gangster film / edited by Lee Grieveson, Esther Sonnet, and Peter Stanfield. 1 / Mary Elizabeth Strunk -- "Good evening gentlemen; can I check your hats please? 100 (10 pages) "Imagining the Puritan Body: The 1995 Cinematic Version of Nathaniel Hawthorne's The Scarlet Letter." In: Adaptations: From Text to Screen, Screen to Text / edited by Deborah Cartmell and Imelda Whelehan. The novel is a psychological drama incorporating dramatic themes such as cowardice, heroism and adultery, but numerous film critics despised the adaptation which bears little similarity to Hawthorne's text. "Kiss of the Spider Woman, Novel, Play, and Film: Homosexuality and the Discourse of the Maternal in a Third World Prison." In: Framing Latin American cinema: contemporary critical perspectives / Ann Marie Stock, editor. Pedagogy and popular culture "The wizard of HAZ: Tina Weadick gets a Muggle's day pass to the set of the latest Harry Potter film to find out where health and safety fits in to the magical mayhem of disgruntled dragons, triple-decker buses, and malevolent mer-people." (FILM-SET SAFETY)." The Safety & Health Practitioner 22.11 (Nov 2004): 41(4). "Wizardry Without Magic: The Harry Potter film has loads of technical expertise but lacks the enthralling life of Rowling's original.(The Arts/Cinema)(Harry Potter and the Sorcerer's Stone )(Review)." Time 158.22 (Nov 19, 2001): 136. One theme that is found in many of the films, he notes, is the fear of the "beast within," the idea that a segment of the personality that is evil or devoted to amoral self-gratification could be segregated or selectively unleashed. Kaveny -- The grey pilgrim: Gandalf and the challenges of characterization in "Middle-earth" / Brian D. pp: 110-124 Carbondale: Southern Illinois University Press, c1983. "Marleen Gorris's film adaptation of Virginia Woolf's novel, "Mrs. Associates, 1997."A cozy familiarity dissolves into an unsettling future." ('Mrs.

Commercial forces in the film industry ensure that its standard forms will supercede literary efforts to extend beyond those boundaries." [Expanded Academic Index] Enser's filmed books and plays: a list of books and plays from which films have been made, 1928-1991 / compiled by Ellen Baskin and Mandy Hicken. Writers on the American screen: a guide to film adaptations of American and foreign literary works / Larry Langman. Series title: Garland reference library of the humanities; vol. Contents: he theory and practice of adaptation / Robert Stam -- Improvements and reparations at Mansfield Park / Tim Watson -- Keeping the carcass in motion : adaptation and transmutations of the national in The last of the Mohicans / Jacquelyn Kilpatrick -- The discreet charm of the leisure class : Terence Davies's The house of mirth / Richard Porton -- In search of adaptation : Proust and film / Melissa Anderson -- The grapes of wrath : thematic emphasis through visual style / Vivian C. Eliot's understanding of film technique was entirely up to date, and a good deal more sophisticated than that evinced by a cinephile such as Franz Kafka. The Wizard of Oz "is a story of adolescent development wherein a female child performs a heroic quest. " : masculinity, dress, and the retro gangster cycles of the 1990s / Esther Sonnet and Peter Stanfield -- Waddaya lookin' at? The motion picture was reviled for being cliche-ridden and overtly politically correct, with Moore's portrayal of Hester particularly despised. pp: 120-40 Minneapolis: University of Minnesota Press, c1997."Authenticity in Harry Potter: The Movie and the Books." In: Harry Potter's world : multidisciplinary critical perspectives / edited by Elizabeth E. "To Release Himself at the Last Moment: Constructing the Sexual Deviant in Hyde on Screen." In: Screen methods : comparative readings in film studies / edited by Jacqueline Furby & Karen Randell. He includes the most comprehensive and accurate filmography on the subject, which, he concludes, should serve as a solid foundation for future research into the Jekyll and Hyde film subgenre." [Art Index] "The Strange Case of Rouben Mamoulian's Sound Stew: The Uncanny Soundtrack in Dr. Hyde (1931)." In: Music in the horror film : listening to fear / edited by Neil Lerner. Walter -- Jackson's Aragorn and the American superhero monomyth / Janet Brennan Croft -- Neither the shadow nor the twilight: the love story of Aragorn and Arwen in literature and film / Richard C. Wells had a forward-looking relationship with film and considered the potential of the medium to be boundless. Dalloway," does not convey the complexity of the book. Dalloway Meets the Robot Maria." In: Virginia Woolf and the arts: selected papers from the Sixth Annual Conference on Virginia Woolf, Clemson University, Clemson, SC, June 13-16, 1996 / edited by Diane F. Dalloway' and other melancholy genre epics) (Living Arts Pages) . "Thérèse Raquin in a fog covered corner." In: Zola and film : essays in the art of adaptation / edited by Anna Gural-Migdal and Robert Singer ; with a foreword by Brigitte Emile-Zola.

Aldershot, Hants., England; Brookfield, Vt., USA: Ashgate, c1993. Reihe XXX, Theater-, Film- und Fernsehwissenschaften; Bd. Ideas of order in literature and film: selected papers from the 4th Annual Florida State University Conference on Literature and Film / editor, Peter Ruppert; associate editors, Eugene Crook, Walter Forehand. Sobchack -- Cape Fear and trembling : familial dread / Kirsten Thompson -- The carnival of repression : German left-wing politics and The lost honor of Katharina Blum / Alexandra Seibel -- Serial time : Bluebeard in Stepford / Bliss Cua Lim -- Boyz 'n the hood chronotope : Spike Lee, Richard Price, and the changing authorship of Clockers / Paula J. The great American playwrights on the screen : a critical guide to film, video, and DVD. Series title: Oklahoma project for discourse and theory; v. The encyclopedia of stage plays into film / John C. Welsh; associate editor, John Staniunas; contributing editors, Gene Philips ... It would appear that he was interested in, above all, the construction of a "new earthly terrain that did not exist anywhere," a narrative space created in and by a machine. He viewed that automatism as disabling, in so far as the machine came between the performer and audience, denying the copresence, and as enabling, inasmuch as the machine made it possible to perceive what the human eye alone could not have seen: the pattern projected on a screen, a "new earthly terrain," a rhythm in excess of mimicry. This narrative theme conveys prescriptive rhetoric about female roles and twentieth-century situations, and reflects a cultural preoccupation with individual identity and its formation" [from Chadwyk-Healey Periodicals Content Index] "Different Shops of Horrors: From Roger Corman's Cult Classic to Frank Oz's Mainstream Musical." In: Modes of the Fantastic: Selected Essays from the Twelfth International Conference on the Fantastic in the Arts / edited by Robert A. : rereading the gangster film through The Sopranos / Martha P. Actress Demi Moore will play the part of Hester Prynne in a film version of Nathaniel Hawthorne's book 'The Scarlet Letter.' The $40 million movie will be directed by Roland Jaffe, and the screenplay, written by Douglas Day Hollywood has once again trivialized and corrupted a literary classic to the point of insulting not only the work and its author but also its viewers. Series title: Florida James Joyce series."Leopold Bloom Walks and Jimmy Stewart Stares: On Motion, Genre and the Classic." In: Classics in film and fiction / edited by Deborah Cartmell ... West -- Concerning horses: establishing cultural settings from Tolkien to Jackson / Janice M. pp: 110-124 Carbondale: Southern Illinois University Press, c1983. The first direct adaptation of his work was Le Voleur Invisible, a single reel version of The Invisible Man that was produced by the Pathe Freres studios at Vincennes, France, in 1909. Wells and the Rhetoric of Proteus." In: No place else: explorations in utopian and dystopian fiction / edited by Eric S. Woolf's complicated portrayal of a woman in her fifties, the visionary characterization of her inner life, and the social manners critiqued in the book are depicted too simplistically on film. Dalloway in the Context of Cinema." In: Virginia Woolf: texts and contexts : selected papers from the Fifth Annual Conference on Virginia Woolf, Otterbein College, Westerville, Ohio, June 15-18, 1995 / edited by Beth Rigel Daugherty and Eileen Barrett ; with an introduction by Beth Rigel Daugherty. The New York Times March 11, 1998 v147 p B2(N) p E2(L) col 3 (27 col in) "The Ghosts of War: Modernism, Conflict, and Memory in the Twentieth Century." [Mrs.

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